Tuesday, December 24, 2019

Analysis Of The Film Citizen Kane By Orson Wells

Intro I have chosen to use an extract from the film ‘Citizen Kane’, directed by Orson Wells (1941) for this assignment. The technical aspects I have chosen to explore will be the use of both mise-en-scene and editing. Synopsis The clip I have selected from Citizen Kane is a montage scene that shows the protagonist Charles Foster Kane eating breakfast with his wife Emily. The scene is presented in the form of a narrative exposition from the mind of Jedediiah Leland, who is the ex business partner of Kane. The entirety of the scene is comprised of Kane and his wife conversing with one another whilst eating breakfast. (Scene time code: 49:23-52:42). Analysis The use of elliptical editing in the form of a montage is a dominant force in the make up of my chosen extract. This helps condense large sections of time that comprise of many years into smaller transitions that are more aesthetically pleasing to the audience. ‘This simple and basic technique allows narratives to span large spatial and temporal distances without the need to follow dull action’ (Duckworth, 2008). In this particular scene it is important to note that only time has been manipulated, not space, as the narrative occurs in only one setting for the duration of the scene. A slow dissolve is used as Leland’s recollection of Kane’s relationship with his wife takes the viewer to the breakfast table. ‘The dissolve is defined as a gradual change from the ending pictures of one shot into the beginning picturesShow MoreRelatedOrson And Citizen Kane, Touch Of Evil, And Othello, Make Him A Great Auteur? Essay2317 Words   |  10 PagesElie Rahbani 201300566 History of film paper: Topic: Orson welles Question: How do the formalistic and ideological patterns found in Orson Welles’s movies; Citizen Kane, Touch of Evil, and Othello, make him a great auteur? Outline: †¢ 1. Orson Welles (Biography and 3 films) †¢ 2. Formalistic patterns: âž ¢ Mise en Scene in each film âž ¢ Editing in each film †¢ 3. Ideological patterns (in each film) †¢ 4. Orson Welles as an Auteur 1. Orson Welles: Biography: Orson Welles was born on the 6th of MayRead MoreCitizen Kane : Character Analysis : Citizen Kane1337 Words   |  6 PagesCharacter Analysis: Kane Citizen Kane one of the consistently top ranked films of all time, A film that would change the course and style of film from that point on Its ability to direct the audience’s attention with its many remarkable and breath-taking scenes. It employed many new cinematic and innovative techniques that apply to lighting, sound mixing and editing that been emulated ever since. The character that we see take the greatest advantages of these new techniques is Charles Foster Kane, utilizingRead MoreWhy Citizen Kane is the Best Movie Ever Made Essay760 Words   |  4 PagesCasablanca and Citizen Kane has been a classic argument between film critics and historians alike, and this is because both of these pieces are timeless pictures that have managed to captivate audiences well after their era. On a broad spectrum analysis this is an apples and oranges debate as the two films both have great cinematographic value but for different reasons. However, the real question at hand is which f ilm is the greatest? Which film transformed the future of American film making? It isRead MoreFilm Analysis : Citizen Kane Essay2071 Words   |  9 Pagescreate his debut film Citizen Kane, Orson Welles assembled a talented group of artists and technicians who together produced a film that redefined cinema forever. During the film’s production process, Welles himself stated that making a film â€Å"is the biggest electric train set any boy ever had.† By this he meant that the production studio was his playground and he intended to use every tool at his disposal. Starting from the film’s very first shot; he proves this to be true. As the film begins, the cameraRead More Latinos, Politics, and American Cinema Essay3885 Words   |  16 PagesLatinos, Politics, and American Cinema Feature films in the United States influence American viewers attitudes on a wide variety of topics. Americans attitudes toward politics are shaped by films, and specifically the politics of racial interaction. The history of modern feature films begins with Birth of a Nation (1915), a film that misrepresents the Black race by justifying the existence and role of the Ku Klux Klan in American society. From this racist precedent, producers and directorsRead MoreThe Studio System Essay14396 Words   |  58 Pagesthe business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch. Starting in 1920, Adolph Zukor, head of Paramount Pictures, over the decade of the 1920s helped to fashion Hollywood into a vertically integrated system, a set of economic innovations which was firmly in place by 1930. ForRead MoreEssay on Music in Scorsese films2910 Words   |  12 Pagesï » ¿2) For Martin Scorsese, popular music in films ‘doesn’t have to serve simply as mood music or be an unimaginative device for establishing a time period.’ (Romney Wootton, 1995: 1)Taking this as a starting point, discuss the use of popular music in either one or two films or the work of one film director. I will be looking at the films of Martin Scorsese regarding his statement that popular music in films ‘doesn’t have to serve simply as mood music or be an unimaginative device for establishingRead MoreThe Independence Of Meta Cinema And Authorship4881 Words   |  20 Pages auteurisim - a cinematic practice set up due to the prominence of the film director - emerges from passionate attendance and critiques on films in Cahiers du Cin?ma, and further aims to cultivate cinematic literacy among the audience (Valck and Hagener, 1999). Thus, auteurist concerns can be summarised as appealing to the articulation and reception of filmmakers? self-reflexivity. David Bordwell has indicated in his analysis on European art cinema that the stress of authorship covers the distinctRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesFILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637  © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation  © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6

Monday, December 16, 2019

Gump and Co. Chapter 3 Free Essays

Chapter 3 Anyhow, I gone on back to Mrs. Curran’s that night an phoned up Slim at his motel to say I ain’t gonna be placin no more encyclopedias in people’s homes. â€Å"Well, Gump, so this is how you repay me for all my kindness!† he says. We will write a custom essay sample on Gump and Co. Chapter 3 or any similar topic only for you Order Now â€Å"Stabbed in the back! I should of known better.† An he concludes with a bunch of other shit that ain’t any nicer, after which, he hung up in my face. At least I got that over with. Little Forrest is of course long asleep in the bedroom time I get through with all that, an Mrs. Curran ast me what is goin on? I tole her I am quittin the encyclopedia bidness to go up to Atlanta an help Alfred make his new CokeCola, an that I figger I got to do this, account of it is a lot of money involved an we need to fix up little Forrest with some backup income. She agrees with me, cept she say she thinks I oughta have a conversation with little Forrest fore I go, an explain to him about exactly who I am, since his mama an daddy are dead now. I ast her don’t she think she’d be better off explainin all that, but she say no. â€Å"There comes a time, Forrest, when I believe a person has got to take the responsibility on himself, and that time is now. Might not be easy, but you gotta do it. And you gotta do it right, because it is gonna make a lastin impression on him.† In this, I know Mrs. Curran is correct, but it is not somethin I look forward to. Next mornin I get up bright an early, an Mrs. Curran made me some cereal an helped me get my bag packed. Alfred says he is gonna pick me up at nine A.M. sharp, an so I have got to deal with little Forrest right about now. When he gets finished eatin his breakfast, I call him out on the porch. â€Å"I have got to be gone for a while,† I says, â€Å"an there is some things you better know before I go.† â€Å"What is that?† he ast. â€Å"Well, for one thing, I don’t know how long I’m gonna be gone, an I want you to be real nice to Mrs. Curran while I’m away.† â€Å"She’s my grandma; I’m always nice to her,† little Forrest says. â€Å"An I want you to do real good in school, an don’t get into no kind trouble, okay?† A kind of frown come over his face, an he look at me sort of funny. â€Å"Say, you ain’t my daddy. Why you tellin me all this?† â€Å"I guess that’s what I want to talk to you about,† I says. â€Å"You see, I am your daddy.† â€Å"No you’re not!† he hollers. â€Å"My daddy’s sick back home. He’s comin to get me just as soon as he gets well.† â€Å"That’s somethin else I got to tell you,† I says. â€Å"Your daddy ain’t gonna get well, Forrest. He’s with your mama now, you see?† â€Å"He is not!† Forrest says. â€Å"Grandma says he’s comin to get me pretty soon! Any day now.† â€Å"Well, your grandma’s wrong,† I says. â€Å"You see, he done took sick like your mama, an he didn’t get well, an so I am gonna have to take care of you now.† â€Å"You! – That’s not so! My daddy is comin!† â€Å"Forrest,† I says. â€Å"You got to listen to me, now. I didn’t want to have to tell you this, but I got to. You see, I’m your real daddy. Your mama tole me that a long time ago. But you was livin with them, an I was just – well, like a bum or somethin, an it was better that you stayed with them. But see, they gone now, an ain’t nobody but me to take care of you.† â€Å"You’re a liar!† he says, an begun to beat on me with his little fists, an then he begun to cry. I knew he was gonna, an it was the first time I seen him do it, but I figger it is good for him now – although I still don’t think he understands. I would rather be doin anythin but this. â€Å"Forrest is tellin you the truth, son.† Mrs. Curran had been standin in the doorway durin all this. She come out on the porch an pick the little boy up an set him in her lap. â€Å"I didn’t want to have to tell you this myself,† she says, â€Å"so I got Forrest to do it for me. I should have tole you, but I just couldn’t.† â€Å"It’s not so. It’s not so!† he shouts, an begun to kick an cry. â€Å"You’re liars. You’re both liars!† About this time a big ole black limousine pull up in front of the house an Alfred get out an motion for me to come on an get inside. I can see Mrs. Hopewell’s face grinnin out the backseat winder. An so I took my bag an went on down the sidewalk to the car, an behind me, all I could hear was little Forrest screamin, â€Å"Liar, liar, liar!† If this is what Mrs. Curran meant when she says tellin little Forrest the truth will make a â€Å"lastin impression,† I sure do hope she is wrong. Anyhow, we went on up to Atlanta, an the whole time Mrs. Hopewell is puttin her hands on my leg an stuff like that, an ole Alfred, he is pourin over papers an books an talkin to hissef a lot. When we arrive at the CokeCola headquarters buildin, they is a big ole mob of people there to welcome us, an when I come in everbody be pumpin my hand an clappin me on the back. They led me down a long hall to a door marked Experimental Research Lab, Top Secret, Keep Out! When we gone inside, I like to fainted! They has set up a whole kitchen exactly like Mrs. Hopewell’s, right down to the half-empty glasses where I had drunk the CokeCola. â€Å"Everthing is right here, Gump, just like you left it back at Mobile,† Alfred says. â€Å"Now, what we want you to do is just what you did when you fixed that CokeCola. Trace every step you took, and think real hard, because the fate of this whole company might be riding on it!† To me, it seems a sort of unfair burden to shoulder. After all, I ain’t done anythin but try to fix me somethin to drink. Anyhow, they put me in a big ole white smock, like Dr. Kildare or somethin, an I begun the experiment. First I take a can of the â€Å"new CokeCola† an put it in a glass with some ice cubes. I tasted it, just like I done at Mrs. Hopewell’s, an it still taste like shit or whatever. So I gone into the pantry, where all the stuff is on the shelves. Truth is, I can’t remember exactly what I put in the CokeCola that might of improved it. But I went on anyhow an started mixin the shit up. All the time, four or five fellers be follerin me around, takin notes whenever I do somethin. First I took a pinch of cloves an a dab of cream of tartar. Next I put in some root beer extract an meat tenderizer an popcorn cheese seasoning an added some blackstrap molasses an crab boil. After that I done opened a can of chili con carne an skimmed the little orange fat that floats around the top an put that in, too. An then I added a little bakin soda, for good measure. Finally, I stirred the whole thing up with my finger, just like I done at Mrs. Hopewell’s, an I took a big ole swig of it. Everbody be holdin their breaths an watchin me with they eyes all bugged out. I swished the stuff around in my mouth for a second, then said the only thing that come to mind, which was â€Å"Ugggh!† â€Å"What’s wrong?† one of the fellers ast. â€Å"Can’t you see he don’t like it?† says another. â€Å"Say, let me taste that,† Alfred says. He takes a drink an spits it out on the floor. â€Å"Christ! This shit is worse than the stuff we made!† â€Å"Mr. Hopewell,† one of the fellers says, â€Å"you spit that out on the floor. Gump spit his in the sink. We’re losin control of the experiment.† â€Å"Yeah, well, all right,† Alfred says, an he got down on the floor an wiped up the Coke with his handkerchief. â€Å"But that don’t seem too important to me, where he spit it. Main thing is, Gump, we gotta get back to work.† So that’s what we did. All that day an most of the night. I got so confused at one point I accidentally poured half a saltcellar in the CokeCola instead of garlic powder, which I thought might take some of the edge off the turpentine taste. When I drank it down, it made me half crazy for a while, like they say happens to people in lifeboats that drink seawater. Finally Alfred says, â€Å"Okay, I guess that’s enough for today. But we gotta get back at this bright an early tomorrow mornin. Right, Gump?† â€Å"I reckon so,† I says, but I am figgerin we might be up against a hopeless cause. All that next day an the next weeks an the next months that gone by, I done tried to fix the CokeCola. Didn’t work. I put in cayenne pepper an Spanish saffron an vanilla extract. I used cumin an food colorin an allspice an even MSG. The fellers follerin me aroun had gone through about five hundrit notebooks by now, an everbody was gettin on everbody else’s nerves. Meantime, at night I would go back to the big ole hotel suite where we was all stayin, an sure enough, there would be Mrs. Hopewell, loungin aroun in next to nothin. Couple of times she ast for a back rub an I give it to her, but when she ast for a front rub, that’s where I drawed the line. I am beginnin to believe this whole thing is a bunch of crap. They feed me an give me a place to stay, but I ain’t seen no money yet, an that’s why I am here, on account of I gotta take care of little Forrest. One night lyin in bed, I am wonderin what I’m gonna do, an start thinkin about Jenny an some of the good ole times, an all of a sudden, I see her face in front of me, just like I did at the cemetery that day. â€Å"Well, you big bozo,† she says. â€Å"Can’t you figger this one out for yourself?† â€Å"What you mean?† I ast. â€Å"You ain’t never gonna be able to make that stuff taste right. Whatever you did the first time was just a fluke or something.† â€Å"Well, what I’m gonna do, then?† I says. â€Å"Quit! Leave! Go find yourself a real job, before you spend the rest of your life trying to do what’s impossible!† â€Å"Well, how?† I ast. â€Å"I mean, these people are countin on me. They says I am their only hope to save the CokeCola Company from rack an ruin.† â€Å"Screw em, Forrest. They don’t care anything about you. They’re just trying to save their jobs, and using you as a fool.† â€Å"Yeah, well, thanks,† I says. â€Å"I guess you’re right. You usually were.† An then she is gone, an I am alone again. Next mornin I am up at the crack of dawn when Alfred come an got me. When we got in to the experiment kitchen, I gone through the motions of makin the CokeCola good again. Bout halfway through the day, I done mixed up a batch of some shit, but this time, when I drunk it down, instead of sayin â€Å"Uggh!† an spittin it out, I done grinned an says â€Å"Ahhhh!† an drunk down some more. â€Å"What’s that?† one of the fellers shouts. â€Å"He likes it?† â€Å"I reckon I got it,† I says. â€Å"Praise the Lord!† hollers Alfred, an slaps himself in the forehead. â€Å"Gimme that,† says one of the other fellers. He takes a sip an sort of rolls it around in his mouth. â€Å"Say, that ain’t half bad!† he says. â€Å"Let me taste it,† Alfred says. He takes a swallow an gets a really funny look on his face, like he is goin through an unusual experience. â€Å"Ahhhh!† Alfred says. â€Å"It is wonderful!† â€Å"Let me have some, too,† another feller asts. â€Å"No, no, damnit!† Alfred says. â€Å"We gotta save this shit for chemical analysis. What’s in this glass is worth billions! Do you hear me, billions!† He rushes out an calls in two armed guards an says for them to take the CokeCola glass to the vault an to guard it with their lives. â€Å"Gump, you have done it!† Alfred shouts, an begun poundin hissef on the knee with his fist an get so red in the face he looks like a beet. Them other fellers is holdin hands an jumpin up an down, an hollerin, too. Pretty soon the door to the experimental kitchen bust open, an there is a tall, gray-haired man standin there, lookin very distinguished in a dark blue suit. â€Å"What is all this?† he ast. â€Å"Sir, we have performed a miracle!† Alfred cries. â€Å"Gump, this is the chairman of the board and chief executive officer of CokeCola – go shake his hand.† â€Å"What is the miracle?† the feller ast. â€Å"Gump here has made the New Coke taste good!† says Alfred. â€Å"Yeah? How you do that?† he ast. â€Å"I dunno,† I says. â€Å"Just lucky I guess.† Anyhow, a few days later, the CokeCola Company has arranged for a big preview tastin party to be held at their headquarters at Atlanta, an have invited about five thousan people consistin of press, politicians, socialites, stockholders, an other elite folks – even includin about five hundrit grade-school kids from around the city. Outside, big spotlights crisscross in the sky, an them what wadn’t invited were standin behind ropes wavin at them what was. Most everbody wearin tuxedos an ball gowns, an they is all millin aroun an makin small talk when suddenly a curtin on the stage is pulled back, an me an Alfred an Mrs. Hopewell an the president of CokeCola are standin there. â€Å"Ladies and gentlemen,† says the president, â€Å"I have a momentous announcement to make.† Everbody get real quiet an be lookin straight at us. â€Å"The CokeCola Company is proud to announce a new product that is gonna revitalize our bidness. As you know, CokeCola has been around for more than seventy years, an we have not once changed our original formula, because we figgered everbody liked CokeCola. But that is not the way of the nineteen-eighties. Everbody got to change sometime. General Motors changes about every three or four years. So does politicians. People change clothes once or twice a year†¦Ã¢â‚¬  At this last remark, there is some low mumblin from the audience. â€Å"What I meant was,† the president goes on, â€Å"that clothes designers change their product with great regularity – and just look at the money they make!† He lets this sink in for a moment an then proceeds: â€Å"And so we here at CokeCola have decided to throw away our time-honored formula for CokeCola and try somethin different. ‘New Coke’ is what it is called, and we have to thank for this a brilliant young scientist, Forrest Gump, who has invented this amazing product! Now, right at your tables, our staff is passing out bottles and cans of New Coke for your enjoyment, but first, I think a few words from its inventor are appropriate. Ladies and gentlemen, I give you Forrest Gump!† He leads me to the speaker’s stand, an I am dumbfounded. I am so scared, what I am thinking is, I got to pee, but I ain’t gonna say it this time. Nope. So I just says, â€Å"I hope it is good,† an stepped back away from the microphone. â€Å"Wonderful,† the president shouts when the applause dies down. â€Å"And now, let the tasting begin!† All over the auditorium you can hear the sounds of cans poppin an bottles bein opened, an then you can see the people drinkin the new CokeCola. At first there is some ooohs and ahhs, an a few people be lookin at each other an noddin their heads. But then there come a cry from one of the little kids they has invited, says, â€Å"Ugggh! This shit is awful!† an spits it out. Then the other kids start doin the same thing, an in no time, seemed like everbody be spittin the New Coke on the floor an gaggin an cussin. Some people even spit it on other people, an this began to cause a disturbance out in the audience, an all of a sudden seems like a fight or somethin break out. Pretty soon, the people be thowin the cans an bottles of New Coke at us an at each other, too, an you can see all sorts of fists flyin an kickin an gougin, an tables turned over an all. Some of the ladies’ dresses be ripped off, an they gone screamin out into the night. Cameras be flashin an the TV people is tryin to capture it all on film. Me an the president an Alfred an Mrs. Hopewell are just standin on the stage, dodgin the bottles an cans, an we are sort of dumbstruck. Somebody shouts, â€Å"Call the police!† But I am lookin out at the crowd, an the police seem to be in the middle of everthin themselfs. After a little bit, the whole thing spills out onto the street, an we hear a lot of sirens an so on. The president an me an Alfred an Mrs. Hopewell try to make our way out, but we get caught up in the thing, too, an it ain’t long fore Mrs. Hopewell’s dress is ripped off. We is covered with Coke an shit, an also with stuff from cupcakes an Moon Pies, which the CokeCola Company has thoughtfully handed out with the New Coke. Somebody shouts that the mayor of Atlanta has declared â€Å"a state of emergency,† on account of there is a riot, an afore it is all over, they has busted out all the winders on Peachtree Street an looted most of the stores, an a few people is now settin fire to the buildins. We is all standin under the awnin outside the CokeCola headquarters when somebody recognize me, shouts, â€Å"There he is!† an before I know it, about a thousan people commenced chasin me, includin the president of CokeCola an Alfred an even Mrs. Hopewell, who is only wearin her underpants! This ain’t somethin I got to think about long! I start runnin fast as I can, across the Interstate an up hills an side roads, rocks an bottles landin all around me. Shit, seems like I been here before. Anyhow, I outrunned the mob, cause that is my specialty, but let me say this: It was scary! Pretty soon, I found mysef on a ole two-lane highway leadin I knew not where, but along come a pair of headlights an I stuck out my thumb. The headlights stopped, an lo an behole, it was a pickup truck. I ast the driver where he was headed, an he say, â€Å"North, to West Virginia,† but that if I want a ride, I gotta ride in the back, account of he’s got a passenger in the front. I look over at the passenger, an damn if it weren’t a great big ole sow pig, must of weighed four hundrit pounds, settin there gruntin an pantin. â€Å"This is a registered Poland China swine,† the feller say. â€Å"Name’s Gurtrude. Gonna make me rich one day, so she gotta ride in the cab. But you can bunk out in the back, there. Them other hogs is just common swine. Might root you around a little, but they don’t mean no harm.† Anyhow, I got on the truck an away we went. They was about a dozen of them pigs in there with me, oinkin an squeelin an gruntin an all, but after a while they settled down an give me some livin space. Pretty soon it begun to rain. What I am thinkin is, I have had my ups an downs. About sunup that next mornin the pickup done pull up at a truck stop, an the driver gets out an comes around to the back. â€Å"Say,† he says, â€Å"you sleep okay?† â€Å"Pretty good,† I answer. At this point I am lyin under a hog that is twice as big as me, but at least it kept me warm. â€Å"Let’s go in an get a cup of coffee an somethin to eat,† he says. â€Å"By the way, my name’s McGivver.† Outside the restaurant is a newspaper box with a copy of The Atlanta Constitution, headline says: Moron Would-Be Inventor Causes Riot in City The story reads somethin like this: A sometime Alabama encyclopedia salesman who professed knowledge of a new formula for the CokeCola Company caused one of the most violent riots in Atlanta’s history yesterday when his scam was uncovered before several thousand of this city’s most prominent citizens. The incident broke out at about 7 P.M. when Forrest Gump, an itinerant tinkerer and peddler of phony reference books, was introduced by the president of the CokeCola Company as having conceived a new brand of the nation’s favorite soft drink. Witnesses said that when the new concoction was served to the audience for the first time, it induced a violent reaction in all present, which included the mayor and his wife, as well as various council members and their spouses and corporate chairpeople of all descriptions. Police called to the scene described the melee as â€Å"uncontrollable† and told of horrible depredations inflicted on Atlanta’s most fashionable citizens, including the ripping off of women’s gowns and dresses and fighting and throwing objects of all descriptions. At some point, the affair spilled out into the streets and turned into a riot, causing extensive damage in the chic downtown area. One source prominent in Atlanta’s high society who wished to be unnamed said: â€Å"It was the wust thing I ever seen since Lester Maddox begun handin out them axe handles at his restaurant back in sixty-four.† Little is known of the perpetrator, Mr. Gump, who witnesses said fled the scene shortly after the brouhaha started. Sources said that Gump, thought to be in his early forties, was once a football player at the University of Alabama. An assistant football coach at Georgia Tech who wished to remain anonymous recalled that â€Å"Yeah, I remember that Gump feller. Wadn’t too smart, but the sombitch sure could run.† Police have put out an all-points bulletin for Gump, and the CokeCola Company, headquartered here, has offered a $1 million reward for his capture, dead or alive†¦ Anyhow, I kind of hid the newspaper an we went on into the restaurant an set down, an Mister McGivver begun tellin me about his farmin operation in West Virginia. â€Å"It ain’t too big right now,† he says, â€Å"but someday, I’m gonna be the greatest hog raiser in the world.† â€Å"Yeah?† I says. â€Å"That’s nice.† â€Å"Nice – shit on nice, Gump. It’s a dirty, low-down, smelly business, but there’s money in it. ‘Bring home the bacon’ and all that crap. You just gotta be flexible. The hogs don’t take a whole lot of work, but there are other problems to contend with.† â€Å"Such as what?† I ast. â€Å"Well, for one thing, the people in Coalville, the little town where my farm is, they all the time complainin about the smell. Now, I admit that hogs smell, but the hell with that, Gump. Business is business. I got a thousand hogs and all they do is eat and shit all day. Of course it’s gonna smell. I got used to it, why can’t they?† Anyhow, he goes on for a while about the hog bidness, an then he ast me about mysef. â€Å"Say,† he says, â€Å"was you involved in that disturbance in Atlanta last night? It looked like some kind of riot was goin on.† â€Å"Well, not exactly,† I says, which I guess was sort of a lie, but I just didn’t want to get into all that right now. â€Å"Where you headed?† Mister McGivver ast. â€Å"I dunno,† I said. â€Å"I gotta go someplace an get me a job.† â€Å"What line of work are you in, Gump?† he says. â€Å"Oh,† I says, â€Å"I guess you could say I done a lot of things. Right now I just gotta get back on my feet.† â€Å"Well, why don’t you come work for me awhile? There’s a lot to do around the farm.† So that’s what I did. How to cite Gump and Co. Chapter 3, Essay examples

Sunday, December 8, 2019

Love in moldova Essay Example For Students

Love in moldova Essay 1. The Myth of the Model Family (Harmony at Home)? Growing Pains: Beyond One Big Happy Family? What We Really Miss About the 1950s? From Dubious Conceptions: The Politics of Teenage Pregnancy2. The Myth of Education and Empowerment (Learning Power)? From Social Class and the Hidden Curriculum of Work? Higher Education: Colder by Degrees3. The Myth of Individual Opportunity (Money and Success)? From Ragged Dick; From Collin Powell: Straight to the Top? Horatio Alger; Stephen Cruz? Rewards and Opportunities: The Politics and Economics of Class in the US? Have-Mores and Have-Lesses; Streets of Gold: The Myth of the Model Minority4. Myths of Gender (True Women and Real Men)? Becoming Members of Society: Learning the Social Meaning of Gender; Nora Quealey? Advertising and the Construction of Violent White Masculinity? Boys Will Be Boys and Girls Will Not5. The Myth of the Melting Pot (Created Equal)? From Individual to Structural Discrimination; Im Black, Youre White, Whos Innocent Can a New Race Surmount Old Prejudices?6. The Myth of Freedom (Liberty and Justice for All)? New Peoples and New Societies; Essay in the Harness: The Tyranny of Freedom? The Price of Admission: Harassment and Free Speech in the Wild, Wild WestBibliography:

Saturday, November 30, 2019

Survival Factors of Salva Dut Essay Example

Survival Factors of Salva Dut Paper Leadership and luck are two very important survival factors that play a pivotal role in Salvas life. In the book, A Long Walk To Water by Linda Sue Park, Salva, an 11-year-old refugee, used many survival tactics to withstand the difficult journey of walking barefoot across the harsh terrain of Southern Sudan. Walking from refugee camp to refugee camp, leadership and luck is what ultimately made his journey possible. Salva managed to survive his journey and multiple obstacles with his leadership skills and streak of good fortune. One of the survival tactics that was established was leadership. Salva, was forced to flee from his homeland due to religious persecution. The newly appointed leaders of his tribe were forcefully adapting a strict islamic regime. Salva was then forced into a refugee camp, a camp that pushed him along with many other children out. After being forced to leave, Salva is faced with the difficult obstacle of having to cross the infamous Gilo River. Few people were known to have successfully crossed it. Some of the challenges were due to the corrupt militia that guarded the river, there was also a strong current in the water, and crocodiles. When Salva realized he had finally made it across the river, he began to look for others that were lucky enough to make it too. Once he found all the other Lost Boys had made it across, he began to walk with them. Since he was one of the oldest of the group, he had to play the role as leader of the group, and made every attempt to guide them all to sa fety. Although Salva was the oldest of the group, he could still be considered a child in the eyes of many. This act of leadership reflected Salva’s true identity as kind and selfless. In the novel, it states, He organized the group, giving everyone a job (PG 81).This horrible experience helped him become a better leader because it forced him to be one in the most dire situations. This role gave him the strength and vision t We will write a custom essay sample on Survival Factors of Salva Dut specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Survival Factors of Salva Dut specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Survival Factors of Salva Dut specifically for you FOR ONLY $16.38 $13.9/page Hire Writer

Tuesday, November 26, 2019

Black Americans essays

Black Americans essays Black Americans are those persons in the United States who trace their ancestry to members of the Negroid race in Africa. They have at various times in United States history been referred to as African, coloured, Negro, Afro-American, and African-American, as well as black. The black population of the United States has grown from three-quarters of a million in 1790 to nearly 30 million in 1990. As a percentage of the total population, blacks declined from 19.3 in 1790 to 9.7 in 1930. A modest percentage increase has occurred since that time. Over the past 300 and more years in the United States, considerable racial mixture has taken place between persons of African descent and those with other racial backgrounds, mainly of white European or American Indian ancestry. Shades of skin colour range from dark brown to ivory. In body type black Americans range from short and stocky to tall and lean. Nose shapes vary from aquiline to extremely broad and flat; hair colour from medium brown to brown black; and hair texture from tightly curled to limp and straight. Historically, the predominant attitude toward racial group membership in the United States has been that persons having any black African ancestry are considered to be black. In some parts of the United States, especially in the antebellum South, laws were written to define racial group membership in this way, generally to the detriment of those who were not Caucasian. It is important to note, however, that ancestry and physical characteristics are only part of what has set black Americans apart as a distinct group. The concept of race, as it applies to the black minority in the United States, is as much a social and political concept as a biological one. The first Africans in the New World arrived with Spanish and Portuguese explorers and settlers. By 1600 an estimated 275,000 Africans, both free and slave, were in Central and South America and the Caribbean are...

Friday, November 22, 2019

Relative Deprivation and Deprivation Theory

Relative Deprivation and Deprivation Theory Relative deprivation is formally defined as an actual or perceived lack of resources required to maintain the quality of life- diet, activities, and material possessions- to which various socioeconomic groups or individuals within those groups have grown accustomed, or are considered to be the accepted norm within the group. Key Takeaways Relative deprivation is the lack of resources (money, rights, or social equality) necessary to maintain the quality of life considered typical within a given socioeconomic group. Relative deprivation often contributes to the rise of social change movements, such as the U.S. Civil Rights Movement.Absolute deprivation or absolute poverty is a potentially life-threatening situation that occurs when income falls below a level adequate to maintain food and shelter. In simpler terms, relative deprivation is a feeling that you are generally â€Å"worse off† than the people you associate with and compare yourself to. For example, when you can only afford a compact economy car, but your coworker, while getting the same salary as you, drives a fancy luxury sedan, you may feel relatively deprived. Relative Deprivation Theory: Definition, Examples, and History As defined by social theorists and political scientists,  Relative Deprivation Theory suggests that people who feel they are being deprived of almost anything considered essential in their society- whether money, rights, political voice or status- will organize or join social movements dedicated to obtaining the things of which they feel deprived. For example, relative deprivation has been cited as one of the causes of the U.S. Civil Rights Movement of the 1960s, the struggle of Blacks to gain social and legal equality with whites. Similarly, many gay people join the same-sex marriage movement in order to acquire the same legal recognition of their marriages enjoyed by straight people. In some cases, relative deprivation has been cited as a factor driving incidents of social disorder like rioting, looting, terrorism, and civil wars. In this nature, social movements and their associated disorderly acts can often be attributed to the grievances of people who feel they are being denied resources to which they are entitled. Development of the concept of relative deprivation is often attributed to American sociologist Robert K. Merton, whose study of American soldiers during World War II revealed that soldiers in the Military Police were far less satisfied with their opportunities for promotion than regular GIs. In proposing one the first formal definitions of the relative deprivation, British statesman and sociologist Walter Runciman listed the effect’s four required conditions: A person does not have something.That person knows other people who have the thing.That person wants to have the thing.That person believes he or she has a reasonable chance of getting the thing.   Runciman also drew a distinction between â€Å"egoistic† and â€Å"fraternalistic† relative deprivation. According to Runciman, egoistic relative deprivation is driven by an individual’s feelings of being treated unfairly compared to others in the group. For example, an employee who feels he or she should have gotten a promotion that went to another employee may feel relatively deprived. Fraternalistic relative deprivation is more often associated with massive group social movements like the Civil Rights Movement. Relative vs. Absolute Deprivation Relative and absolute deprivation are measures of poverty in a given country. Absolute deprivation describes a condition at which household income falls below a level needed to maintain the basic necessities of life like food and shelter. Relative deprivation describes a level of poverty at which household income drops to a certain percentage below the country’s median income. For example, a country’s level of relative poverty could be set at 50 percent of its median income. While absolute poverty can threaten one’s very survival, relative poverty is more likely to limit one’s ability to participate fully in their society. In 2015, the World Bank Group set the worldwide absolute poverty level at $1.90 a day per person based on purchasing power parities (PPP) rates. Critiques Critics of relative deprivation theory have argued that it fails to explain why some people who, though deprived of rights or resources, fail to take part in social movements meant to attain those things. During the Civil Rights Movement, for example, Black people who refused to participate in the movement were derisively referred to as â€Å"Uncle Toms† by other Blacks in reference to the excessively obedient slave depicted in Harriet Beecher Stowe’s 1852 novel â€Å"Uncle Tom’s Cabin.† However, proponents of relative deprivation theory argue that many of these people simply want to avoid the conflicts and life difficulties they might encounter by joining the movement with no guarantee of a better life as a result.   Relative deprivation theory does not account for people who take part in movements that do not seem to materially benefit them, such as the animal rights movement. In many of these cases, for example, straight people who march alongside lesbian and gay rights activists, or wealthy people who demonstrate against policies that perpetuate poverty or income inequality, are believed to do so more out of a sense of empathy or sympathy than feelings of relative deprivation. Sources Curran, Jeanne and Takata, Susan R. Robert K. Merton. California State University, Dominguez Hills. (February 2003).Duclos, Jean-Yves. Absolute and Relative Deprivation and the Measurement of Poverty. University Laval, Canada (2001).Runciman, Walter Garrison. Relative deprivation and social justice: a study of attitudes to social inequality in twentieth-century England. Routledge Kegan Paul (1966). ISBN-10: 9780710039231.

Thursday, November 21, 2019

External and Internal Environments Term Paper Example | Topics and Well Written Essays - 2250 words

External and Internal Environments - Term Paper Example This also indicated that this firm is the 14th most profitable when compared with many other firms of its size (Kurtz & Boone, 2011). Upon considering further metrics, Forbes Global 2000 ranked General Electrics as the third largest company in the world. This paper seeks to discuss the internal and external environments of General Electrics Company. Segments of the general environment The general environment revolves around every condition in the outside or external environment, which is part of a background context of a managerial decision-making. In simple terms, the general environment of an organization is generally the outer layer that widely affects the organization indirectly and in many ways (Heide, 2008). Typically, environmental issues that may affect an organization consist of the social cultural conditions, economic conditions, technological conditions, political and legal conditions and demographic conditions. With reference to the General Electrics Company, two segments of the general environment would rank highest in their influence on this corporation. They are technological conditions and economic conditions (Griffin, 2012). Particularly, every company that chooses to invest heavily in technological advancements stands to benefit a lot especially when it outshines its competitors. General Electronics deals with products and services wherein technology plays a huge role in their success or failure. For instance, General Electrics offers healthcare products (P&Ls) for surgical operations (Kurtz & Boone, 2011). In this business, General Electrics offers a market-leading healthcare in interventional imaging and intra-operative that facilitates guidance for minimal invasive surgical procedures. Imaging products for surgery are integral in more than one sector as they are also pragmatic in other fields, which include orthopedics, general surgery, neurosurgery, cardiology, urology, GI and for specified processes such as management of pain (Heide, 2008 ). Indeed, technological conditions rank highest in its influence on the General Electrics operations. This is so because the world is today flooding with different ways of meeting the same goal but with different means indicating that technology is playing a huge role in influencing the functioning of many corporations (Ireland, Hoskisson, R. & Hitt, 2008). Economic conditions would also rank highest in their influence on the General Electrics provision of services since economic conditions change with time. Profoundly, a company’s performance and operations depend highly on the economic conditions of the time (Ireland, Hoskisson, R. & Hitt, 2008). Economic conditions would rank highest in influencing the operations and performance of this corporation because uncertainty regarding current global economic status poses great risk as its core consumers may continue postponing their spending decisions (Kurtz & Boone, 2011). This could be in response to negative financial news, u nemployment, tighter credit and/or deterioration of the asset or income values. Hence, economic conditions would rank highest in influencing the service provision of this corporation given such uncertainties could cause material negative effects on demand of the company’s products and services (Griffin, 2012). General environmental factors like the economic conditions and technological state have a heightened rank in the operations an